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which colour?                                                     kayo kayo colour?

Writer and Director Shahrukhkhan Chavada     Producer Wafa Refai
Director of Photography Shahrukhkhan Chavada     Sound Design & Mix Bigyna Dahal
Editors Wafa Refai, Sanchay Bose, Shahrukhkhan Chavada
Sync-sound Wafa Refai     Music Fahad Zuberi

SYNOPSIS

Set in Kalupur, a neighbourhood in the old city of Ahmedabad, India, this slice-of-life film follows the daily life of Razzak and his family through an observational lens.​

Razzak, an unemployed father of two, endeavours to own an auto-rickshaw for business while his daughter, Ruba, is introduced to an interesting drink worth 100 rupees that she can't afford. Through a series of everyday events, the film uncovers the family’s struggles, interpersonal conflicts, joys, and ways of life as they navigate through the intertwined yet unassuming layers of social and political influence.​

The family is caught off guard as an unexpected move threatens their fate and alters life as they know it.

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DIRECTOR'S STATEMENT

Growing up, I lived in several small towns near the Gujarat and Rajasthan border. It was only in my early 20’s that my horizons expanded, and I experienced the diverse environs of city life. As I moved from place to place, I discovered how perceptions change, people change, and even the value of money changes. But for many years, I kept wondering why. After extensively studying anthropology, history & philosophy, I chose to make this film to explore that question - why communities, no matter how closely connected by religion or otherwise, differ. And how the socio-political fibre of society is woven through events both large and small.

To ensure authenticity, this film stars only non-professional actors and showcases or alludes to actual events that have taken place in their lives and have had a lasting impact. To provide an objective experience to the viewer, I’ve chosen to shoot using techniques of mise-en-scene filmmaking, creating aesthetics with wide shots and long takes that capture their everyday lives. These techniques help create a visual language for this story.

ABOUT THE FILM

Kayo Kayo Colour? is an independently produced Indian feature film, that shows the people of Sodagar ni Pol, Kalupur, in Ahmedabad. This neighbourhood is in the older, previously walled part of the city. Often referred to as the "old city", it is characterised by the many "Pols" or neighbourhoods with narrow homes all sharing common walls.

Working in the old city was challenging on many levels. First, the residents were new to and fascinated by the shooting process. This would result in young crowds forming around shoots, making it difficult to shoot in sync-sound. Gradually, however, the neighbourhood became familiar with the process, making it more manageable.

It was a big task convincing the residents to act in the film. As we got near production, we had first the adult cast and children back out for various personal and social pressures. The lead cast was changed one by one during the production stage. This turned out to be a blessing in disguise, as we ended up with a fantastic team of actors.

Most of the locations are also the casts' actual homes which were perfect for the direction the story finally took. They were literally "at home", making their performances natural and honest.

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About Kayo
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Junior Geniuses Behind the Lens
Nida Shaikh, Fahim Shaikh, Taibanoor Shaikh, Yushra Shaikh, Abdulkadir Shaikh, Rumisha Shaikh, Nazaha Shaikh

Hues of Triumph
Festivals, Awards, and Beyond

The 52nd International
Film Festival Rotterdam

provided the perfect backdrop for the World Premiere of our film, drawing attention from cinephiles worldwide.

KayoFestivals

Awards

Rashid Irani  Young Critics Choice Award

Jogja-NETPAC Asian Film Festival, 2023 - NETPAC Award

The film rekindles our love with the best of storytellings: its simplicity is visceral, its drama is contagious, and its imperfection is its weapon. In the background, the film reminds us that the world was changing in 2002 without us knowing it, and a part of it began in Ahmedabad. In the foreground, it is anchored in a day in the life of an uprooted family, where temporary is constant. Once the camera is made unhidden, awakened by the gaze of a child, we become a part of the story. At its heart, it is the world of our unsung heroes: fathers, mothers, children, and friends. Now, its colourful future carries our collective hope.

MAMI Mumbai Film Festival, 2023 - Young Critics Choice Award

For uniquely extending this spirit through exemplary innovation of cinematic form, the Rashid Irani Young Critics Choice is awarded to 'Kayo Kayo Colour? (Which Colour?).

Ajanta-Ellora International Film Festival, 2024 - Special Jury Mention

The jury praises its subdued yet impactful portrayal of social malaise.

Festival Screenings

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Main Competition

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International Film Festival Kerala, 2023

Melbourne International Film Festival, 2023

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Indian Film Festival Melbourne, Indian Summer, 2024

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2024

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Generation Festival, Denmark, 2023

Other Screenings

Crossings Film Series, 2023

Centre for Modern Indian Studies (CeMIS),

University of Göttingen, Germany. Curated by Lalit Vachani.

Premiered on 20th November 2023

Jairangam Theatre Festival, Jaipur

The first film to be premiered at a Theatre Festival

Premiered on 16th December 2023

13th Indian Film Festival of Bhubaneswar

Premiered on 25th January 2024

Heritage House Mysuru, Karnataka

Open Air Cinema, Heritage House Saraswathipuram, Mysuru

Premiered on 4th February 2024

G5A’s Cinema House, Mumbai

Premiered on 17th February 2024

NID, Ahmedabad

Premiered on 27th February 2024

SN Fest - Hyderabad University Film Festival

SN School Of Arts and Communication

University Of Hyderabad

Premiered on 1st March 2024

The Nomad Cafe Film Club, Ahmedabad

Our Hometown, Gujarat Premiere

Premiered on 2nd March 2024

Indore International Film Festival (PIFF)

Premiered on 16th March 2024

Art@IITGN Film Festival, Gujarat

IIT Gandhinagar, Gujarat. Curated by Don Palathara

Premiered on 14th April 2024

Rangam Film Festival, Kerala

Film Society of College of Engineering Trivandrum

Premiered on 21st April 2024

SAA Film Festival, JNU

School of Arts and Aesthetics, JNU, Delhi

Premiered on 27th April 2024

7th Cineville Annual Film Festival, Delhi

FilmTantra, Film Appreciation Society of Shaheed Bhagat Singh College, University of Delhi

Premiered on 29th April 2024

KayoReviews

Shades of Reflection
A Film Review Collection

Our hearts are filled with gratitude for the overwhelming response 'Kayo Kayo Colour?' has received from audiences worldwide, all thanks to the incredible reviews from esteemed film critics across the globe. With their thoughtful words, the critics breathed life into our visual language, unlocking dimensions of meaning we had yet to articulate ourselves. Their unwavering support means everything to us, inspiring us to keep pushing the boundaries of filmmaking.

Film Reviews by Film Critics

International Film Festival Rotterdam

19 December 2022 | Srikanth Srinivasan

Chavada's self-aware, theatrical framing blends fiction and reality, as does the use of non-professional actors in long, intimate shots. With transfixing passages of dead time and non-narrative digressions, he creates space for his characters to breathe freely, to just be. Quietly inheriting the powers of Charles Burnett's Killer of Sheep (1978), Which Colour? presents an India that we have never seen before.

BFI Sight and Sound

8 February 2023 | Srikanth Srinivasan

A radical departure for Indian cinema
The debut feature from Shahrukhkhan Chavada opens new avenues for Indian cinema, focusing on a financially precarious working-class Muslim family in Ahmedabad, Gujarat, through a purely humanist lens... with an eye comparable to Hirokazu Koreeda

Film Companion

28 February 2023 | Aswathy Gopalakrishnan

A Fiercely Humanist Film That Resonates with the History of Ahmedabad
In a world that seeks to erase every sign of your existence, there must be nothing more daring or sensational than just living, and nothing more resilient than firmly marking your presence.

Cineticle

21 March 2023 | Maksim Karpitski

A successful sequel to Bicycle Thieves
Chavada achieves what seemed impossible. "Which Colour?" does not avoid politics at all, because conscious "apoliticality" is the same as defeatism, dressing up in the clothes of aestheticism and affirming the superiority of the dominant ideology.

Scroll.in

14 February 2023 | Nandini Ramnath

The poetry of ordinary Muslim lives
Within this honeycomb, an absorbing, and rare, portrait of ordinary Muslim life that is far removed from mainstream depictions of the community is rolled out. A compelling film and a confidently designed production.

Maktoob Media

11 July 2023 | Afeef Ahmed

A brilliant depiction of the everyday mundane
It also shows us the possibilities of new forms of life, asking us to move away from the heavy moral tropes of representation that restrict us to the binary tropes of reaction/resistance by being either villain/victim.

NDTV - MAMI 2023: Top Ten Discoveries At The Festival

11 November 2023 | Saibal Chatterjee

A sensitive and illuminating depiction of the Muslim ghetto of Kalupur in Ahmedabad.
Capturing the general in the particular, the minimalist Kayo Kayo Colour? offers nuances that are often lost in conventional cinematic excess.

E-CineIndia - FIPRESCI India

April - June 2023 Edition | Narendra Bandabe

A unique film that aims to change the portrayal of Muslim characters in Indian cinema.
In the story "Kayo Kayo Colour," director Chavada delves into the core aspects of human values and relationships.

Film Companion - Hotlist

22 March 2023 | Prathyush Parasuraman

Exquisite, serrated, gorgeous visual prose that uses visual aberrations and improvised serendipity.
It is not a documentary, but a document of the vapours, vagaries, and voltas of everyday Muslim life in Kalupur, Ahmedabad. But neither is it a document in the neat sense of a world that unfolds at a remove from you, that you, as a viewer, get to peek into without any sense of voyeurism or shame.

OTT Play (Hindustan Times)

23 February 2023 | Aditya Shrikrishna

A Muslim Family In Gujarat Is Framed In Black & White
With this fringe-of- the-action framing and non-professionals, Chavada’s film has a Bressonian influence as well as the realist approach of a Kiarostami in his capture of everyday familial life in Kalupur.

Vague Visages

17 April 2023 | Dipankar Sarkar

With Kayo Kayo Colour?, Chavada touches upon the focal core of human values and relationships.
The vagaries of life are unrecognizably blended with the characters' quest for survival, and there is nothing more daring and durable than firmly marking their presence in a world that attempts to obliterate every trace of their existence.

LokSatta (Marathi)

7 April 2023 | Narendra Bandabe

Authentically Cinematic
Made in just a few lakhs, this movie leaves crores feeling and disturbing the mind and at the same time enriching the human being.

The Hindu

19 August 2023 | Shilajit Mitra

Like the great and playful masters, Chavada doesn't trade in easy pathos
Chavada appears in no rush to provide sociopolitical context to his tale... Instead, a lot is said through a series of small but striking disparities.

Cut, and Print!

8 December 2023 | Prakhar Patidar

While the form makes you think, the content invites you in.
We never leave the area, the story never leaves its focus, and the frame never falters... Chavada's refreshing composition of frames, equally nuanced understanding of his characters' socio-political context and its impact on everyday life restores your faith in the film before any doubt takes root.

Moneycontrol

19 February 2024 | Tanushree Ghosh

Rare and Essential
Chavada’s debut drama, in all its black-and-white glory, is a visual masterpiece, a terrific cinematic experience, which embraces the flaws to show life as it is. In his cinema of yore, he holds our hand and takes us inside a Muslim home to meet these characters and see for ourselves how they live.

Bolly & Co., France

21 April 2024 | Asmae Benmansour-Ammour

This minimalist approach invites us to focus on the essential, on what the characters say, on what they experience and not on the way in which they could be presented. Shahrukhkhan Chavada and Wafa Refai indeed deliver a humanist film which, although immersive, remains deeply respectful of its characters. In short, what is certain is that you will not see a film like this again anytime soon.

Five Flavours Asian Film Festival

7 September 2023 | Łukasz Mańkowski

Through this simple, everyday record, Shahrukhkhan Chavada manifests his protest against the systemic erasure. He creates a very particular aesthetics of the every day, capturing the Indian "culture of waiting" through static shots and loops of repeating rituals.

High on Films

28 July 2023 | Niikhiil Akhiil

Reminds us of the film “The White Balloon” by Jafar Panahi
Within a country’s planetary lies a family with a platter of wonders awaiting to resonate within our senses... Chavada opens the portal of segregating the coats of adulthood and adolescence under one roof through the Razzak family in this film.

ASAP | art

5 November 2023 | Ankan Kazi

The film accumulates so many small layers of experience, repressed desires and economic frustration that it acquires an emotional heft that regular, sympathetic and well-meaning films depicting Muslims as victims of stereotypical violence tend to miss out on.

Five Flavours Film Festival (AMP)

8 September 2023 | Panos Kotzathanasis

A family chronicle that grips with its bravery
Rendered through rhythmical observations, Chavada’s method offers a unique commentary on the current situation of the Muslim minority in India that stands as a poignant and valid representation of those who are utterly marginalized by the system.

Asian Movie Pulse

22 November 2023 | Olek Młyński

A vein akin to classic neorealist cinema
Painstakingly composed frames invite studious analysis, with their large depth of field and unusual angles.
Honored with the 25th Spot on the 30 Best Asian Movies of 2023.

ASAP | art

27 November 2023 | Arundhati Chauhan

Kayo Kayo Colour? presents a playful observation of a day in the life of a Muslim family.  Illuminating everyday events that unfold against a larger political churning in India, Kayo Kayo Colour? is strengthened by its cast of characters. 

Bolly & Co., France

20 April 2024 | Vanessa Bianchi

In France, very often, the population does not know Indian cinema or India well. A film is above all a film, an artistic creation, nevertheless, it is undeniable that it is also part of a context, a world, a society. In the case of Kayo Kayo Color?, a first film, contextualization is particularly necessary because most spectators are not necessarily informed about the history of Gujarat. Shahrukhkhan and Wafa's Interview.

Hindustan Times

3 March 2023 | Arun AK

The film follows the daily life of a Muslim family in an Ahmedabad ghetto
Interview with Director, Shahrukhkhan Chavada

CONTACT

Ahmedabad, Gujarat, INDIA
+91 9825 339 432
+91 7030 634 504
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© 2026 by La Pataa Films Private Limited.
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